1.Bio: Frequently incorporating styles found in nature, she looks at what defines the core in our identification and if they can be looked at from a the outdoors or evolutionary standpoint. The frequently vivid colours painted with precise specifics often contrast using the muted shades in order to express the newest events in our life interacting with our memories. The extent which these memories shape our future is shown in the background sometimes interacting with or converging with the central point. What effect does sketching on these memories pose and can it really transform us each short-term so that as a long term species? Whenever we can remove or reduce any negative memories, will we be better away and how does that modify our program?
2. Urging us to question or presumptions and initially perceptions, most of her paintings tell one tale from the range, but an additional up close. Using transparent layers or patterns represent the different jobs, or masks we wear and just how they shape our reality, both while we look at yourself and also the results they generate for the future. She expands about this though parallels drawn among this and the use of hide and mimicry inside the pet world. Is there a point where you stand no longer covering up, however right now transformed into new things altogether? Or can you constantly keep some of your original becoming/heart and soul?
3. One point of motivation is our knowledge of how ingrained songs is within people and nonhuman evolution. The bond between songs and colour are often the origin of choices for her color scheme. Certain time-honored types or composers, for instance, will evoke a specific tone or blend. The additional connection between songs and speech (or animal interaction including pet bird phone calls) and exactly how that impacts our transformation as both individuals as well as a species is really a subject that serves as the background to her motivation.
* When Does covering up turn out to be area of the personal? What is the line where it might be your identification as a individual like new varieties with creatures? At what point will it turn out to be impulse? Just how do we know where you should draw the line or discover the right equilibrium point? Do the benefits of covering up outnumber the possible danger or loss of self, or should we just embrace our damaged selves and a solution to understanding of other people? Should we constantly leverage our capabilities to mask as well as at what price?
* How are the extreme conditions of hiding associated with the sensation of dissociation both from others and ourselves. Whenever we do not know who we truly are, how can we trust our very own judgment?
* Often using patterns found in nature, she explores how becoming confusing effects our capacity to thrive and how it shapes our evolutionary process. The usage of exact specifics in fragments from the artwork seeks to illustrate not only refreshing memories from the existing time, but to express our expectations of not being misunderstood as a person.
* They often represent the struggle between keeping the fundamental parts of our identity, while nevertheless adopting a new mask when beneficial. It looks at the intersection in between the recollections of our aged selves and adopting the new characteristics and benefits our masks provide. As I identify with this particular on one degree from an autism perspective, I think we can all relate to needing to veil or slightly alter ourselves in a variety of conditions we experience in life. Just how do the roles we play become a part of ourselves, regardless of whether through a persona we take on at work, or even how the mass influence of civilizations and connected expectations shape our success? Are we in a position to change some thing so ingrained within our concept of ourselves?
* The frequently muted styles symbolizing the recollections of our own former selves are frequently contrasted with the vibrant colours from the present. While generally fixed, staying as mere memories or snapshots of history, occasionally the memories, maretart appear through the background ultimately shape our new masks. The end result is a release of emotion to find this equilibrium point.